Goldfrapp was at her costumed best when I photographed her show at Brisbane venue The Tivoli. Her costume was used to its full effect too, movement deliberately created in her costume by having a small industrial fan pointed at her from the floor infront. It’s always nice for photographers when performers explore the details within their live performance, not just the music but the visuals too.
Although Goldfrapp poses well for the camera and is full of visual interest, her tendency to move towards and away from the crowd, fully utilising the depth of the stage she is on, makes it difficult to achieve reliable focus while she is on the move. The easiest way to counteract this under normal circumstances is to increase the aperture and therefore have more depth of focus, however this is a luxury not afforded in live music performance. It’s probably one of the most difficult obstacles to deal with in live music shooting, far more so than saturated red lights or dodgy microphone shadows. I found that a lot of my frames were slightly out of focus from this back and forth movement, and really the best way to deal with it is to try and try again.































































































































































